I’m Sorry For Your Loss

By CJ Stobinski
Contributing Editor

In July 2015, my grandmother was diagnosed with stage four gallbladder cancer and was given nine months to live. She battled for her life until May 10, 2017, and lived mainly symptom free until the last month of her life, not even losing her hair during chemo. She saw another great-grand child come into this world, got to finally walk down the aisle at a grandchild’s wedding, and enjoyed another birthday and Christmas season, which she loved so much, that nobody but herself believed she would see. I read this at her funeral on May 16, 2017.

“I’ve gone back and forth since hugging my grandmother’s still warm body a week ago whether I should read this or not, but it’s been said nothing haunts us like the things we don’t say.”

I’m sorry for your loss. It’s this stupid thing we say to each other when someone dies and you can’t think of anything else to say. I’m sure more than one of you has said it today, maybe said it in this funeral home before. I’m sure I’ve even said it myself. It’s a way for us to retreat inward and protect our hearts from injury, from fully feeling something.

There’s a quote from my favorite movie (The United States of Leland) that’s stuck with me for over a decade: “I think there are two ways you can see the world. You can either see the sadness that’s behind everything, or you choose to keep it all out.” Another character says, “I recall when our lives were unusual and electric. When we burned with something close to fire, but now we sway to a different rhythm. Lives lived without meaning, or even directed hope. The passage of time measured only by loss. Loss of a job, loss of a minivan…a son.”

To me, a life measured by loss is one of the saddest existences imaginable, and my grandmother’s life will never be measured by loss. Humanity is so afraid of showing each other our hearts, of being vulnerable, raw. On October 11, 2014, I attended a funeral for my work manager’s husband. He was a master carpenter for the restaurant group and he renovated the restaurant I work at in February of 2012. They met, fell in love, and he proposed the summer before I started in 2013. Shortly after, he found he had stage four brain cancer. They got married despite everything and fought like hell. His showing was on their first wedding anniversary.

I sat through that funeral 11 days after learning that I was living with HIV, completely resistant to the idea of medication at the time, and wondered, what will people say about me at my funeral. The resounding voice in my head was, “Wow, this guy’s a DICK.” HIV forced me to examine my life, look in the mirror and see that it was anger, resentment, and bitterness I was carrying around from past childhood traumas which was slowly killing me on the inside, not HIV.

After I went on the news two years ago to advocate for People Living With HIV, my grandma reached out to me in my birthday card to make sure I was okay, all the while dealing with her first rounds of chemo. My grandmother was selfless. Her instinct was not to warn my younger sisters to not drink out of glasses after me as one immediate family member did. It was not to tell me I was sick for taking a single pill a day, as another family member did, a pill which gives me both a life expectancy of 70+ and an undetectable viral load I’ve maintained for over two years now, which brings the risk of transmission down to zero. Her instinct was to love without limits and expectations.

She once called me out of the blue. I was sitting on the floor of the dorm I lived in the year I went to college in Pennsylvania. I had decided to leave and not return so I could figure out my path to the person I exist as today. I hadn’t told anyone yet, but knew all the people who would look down upon me for leaving, for not living the life they expected me to live. I didn’t tell my grandma I was leaving, but she told me, “CJ, you can be whoever you want to be, whatever you do, I believe in you.” She had no idea how much that meant to me, how much it will always mean to me.

When I returned home, the person who needlessly warned my sisters told me I broke my mother’s heart by leaving school. It’s funny how we talk about people who live their lives to their own standards. When they’re alive, we call them hard-headed, stubborn, inappropriate, embarrassing even. When they’re dead, we say, “They did things their own way.” If we spent more time respecting that a path different from our own is not wrong, just different, maybe we could all coexist a little more peacefully.

In January, I traveled with Youth Across Borders to Honduras to a home for children living with and affected by HIV. Sixty percent of people with HIV in Central America live in Honduras, where 10% of children are born with HIV. Traveling to the second most impoverished country in the western hemisphere, naturally people asked, “What did you go to help them with?” But, you see, I went to Montaña de Luz, the Mountain of Light, next to the village of Nueva Esperanza, New Hope, to learn from the children and the people of Honduras who nurture their lives.

They taught me that money is not the only currency worth something in this world, that a smile, laughter, kindness, and looking someone in the eyes when you speak to them are worth their weight in gold and diamonds. Above all, they taught me that the one true universal language in this world is love.

They had this prayer in capilla every morning that I loved. I’m not much of a prayer, but whether you praise the Sun, the Moon, Vishnu, Allah, Jesus and his father Yahweh, or you oscillate towards The Big Electron, the core message is love: it doesn’t punish, it doesn’t reward, it just is. Anything further is a perversion. I like to say, “You can be certain you’ve created God in your own image when God hates all the same people you do.” My friend Emily would just say, “If it’s not LOVE, it’s a LIE. Emily 1:1” I still have some work to do obviously.

The children of Montaña de Luz prayed to Jesus Christos, who is really just the embodiment of love—love is above us (bring hands up above in an arch), love is below us (bring hands to shin-level in arch), love is in front of us (bring arms parallel to the ground in front), love is beside us (pull hands to torso and slide down), love is behind us (bring hands behind you almost parallel), and love is inside our hearts (bring hands up to your chest). Then repeat the hand motions.

My grandma was my favorite person in this world, because the only expectation she had when I was with her was that my heart was beating inside my chest. I didn’t see her very often in the last two years of her life, because frankly I’ve felt like a stranger when I’m around most of my family, that people are afraid to even speak to me, and it was easier to stay away.

When I got a great job finally not in a restaurant last year with Toledo/Lucas County CareNet, helping those less fortunate than me access life-saving health insurance, the two people I hoped would be grateful told me they didn’t believe my job should exist. My grandmother may have felt the same, but she just smiled and said “I’m happy for you CJ.”

It is said the single biggest regret people have on their deathbed is that they wished they had lived a life true to themselves, rather than the one expected of them. My grandma embodied this and wished to cultivate it wherever she went. She was never afraid to tell someone who thought “their shit did not stink” the truth.

I just finished a three-week program at a yoga studio where I’m certifying as a teacher this summer, and the first day I met a woman named Diana Patton. Just sitting in a circle with her I knew I was supposed to meet her. She asked us a question from her memoir, Inspiration In My Shoes. “Have you lived the best day of your life?” She added, “It’s when you decide that this life is your own, and you’re not something someone did to you, that you alone are responsible for your happiness.”

The next morning, I was meditating in the aerial hammocks at the studio, wrapped in a silk cocoon, looking up at what looked like wings reaching to the ceiling, and all I could think was, “Why would anyone choose to stay a caterpillar?”

Have you lived the best day of your life? Have you decided that this life is your own? Have you forgiven the people that hurt you? Have you forgiven the people who did not have the courage to apologize to you? Most importantly, have you forgiven yourself?

“I forgive you Chris (my mom’s husband), I forgive you Katie (my older sister), and Mom I forgive you, I’ll always forgive you.”

I know that my grandmother died with a satisfied mind. A week ago she decided to withdraw care and enter hospice. I got to the long-term care facility she’d been at for a few weeks just as the woman from hospice was talking about her morning transfer, and my grandma asked, “What now?” The worker said, “There’s a nice pond.” She was supposed to have five to seven days. Figuratively, my grandma said, “Fuck that shit, deuces wild bitches.”

I know this because the next morning I started my Mysore yoga practice at 5:30 A.M. with a prayer for peace for her, and I was stronger than I should have been on that mat. Right before I lay down in Shavasana, also known as Corpse Pose, I looked out the window and saw the sun was breaking through the clouds and I swear I heard her say, “You don’t need me to believe in you anymore, because now you believe in yourself.”

My mouth trembled with trepidation as I laid down to rest and I felt her peace wash over me. I was not surprised when my mom’s name appeared on my phone 20 minutes later, calling to tell me my grandma passed between 5:00 and 6:30 when I was practicing.

If you were at her 80th birthday party, she said that she was going to beat this, and if you told me you believed her I’d call you a liar, because I saw the look on all your faces, and knew the look on my own. Doris Jean Akens, Smith, and later Larrow proved us all wrong, and beat this in her own way, on her own time. She saw so much life beyond what was expected, but in the end, she knew the truth that scares us the most: that nothing and no one in this world is worth holding onto, not even one’s life. She knew that, eventually, it’s just time to let go.

I got her this giant amaryllis for Christmas 2015, what was expected to be her last. It’s first bloom was the new moon in April last month, and she passed on the full “flower” moon on May 10th in Scorpio, her sign, and that I find peace in.

So please, don’t tell me you’re “sorry for my loss.” I gained a 26-year lesson in how to be a badass, how to love without expectations, and ultimately, how to let go. Instead, tell me about the time she convinced the county snow plow to give her a ride home from the bar in a blizzard and fell out of the truck three sheets to the wind. Tell me about how many times she told you the same story about shitting her pants that she loved to tell so much. Or please, tell me how funny it was to watch me dance and karaoke at six years old to Clarence Carter’s “Strokin’” at Larrow’s Town & Country, the bar she owned. “Cue the music….just kidding.” Just be real, raw, authentic, show me your heart.

My grandmother’s life will never be measured by loss, but by the life, love, and support she gave unwaveringly.

To close, I’d like to read a quote from the book, The Painted Drum, by Louise Erdrich, that has given me strength over the past few years.

Life will break you. Nobody can protect you from that, and living alone won’t either, for solitude will also break you with its yearning. You have to love. You have to feel. It is the reason you are here on Earth. You are here to risk your heart. You are here to be swallowed up. And when it happens that you are broken, or betrayed, or left, or hurt, or death brushes near, let yourself sit by an apple tree and listen to the apples falling all around you in heaps, wasting their sweetness. Tell yourself, you tasted as many as you could.

For Doris Jean Larrow
November 7, 1935-May 10, 2017

 

Contributing Editor CJ Stobinski is an activist and advocate for the HIV community. He serves as a Youth Ambassador for Youth Across Borders, as well as Youth Ambassador for the social media campaign Rise Up To HIV. He has competed in races wearing the campaign’s No Shame About Being HIV+ tee shirt since May 2015. CJ is currently on his Undetectable=Untransmittable Racing Tour, educating people about undetectable viral loads, and bringing people’s knowledge of HIV into the 21st century. He is a Certified Community Health Worker in Toledo, Ohio, working as a Referral Assistant for the Northwest Ohio Pathways HUB, combating infant mortality and adult chronic health conditions. In his spare time, he loves to cook, play with his two fluffy cats, train for his upcoming triathlons, and is pursuing a yoga teacher certification.

What Rough Beast | Poem for May 19, 2017

Laura Winkelspecht
Nobody Dies Because They Don’t

—For the education of Raul Labrador

Nobody dies because they don’t have access to healthcare.
Nobody dies because they don’t get enough to eat.
Nobody dies because they don’t have a warm place to sleep.

Nobody dies because they don’t have the will to live.
Nobody dies because they don’t start wars they fight in.
Nobody dies because they don’t know enough to be scared.

Nobody dies because they don’t look both ways.
Nobody dies because they don’t make good decisions.
Nobody dies because they don’t stay silent during injustice.

Nobody lives in this world.

 

Laura Winkelspecht‘s work has appeared in Clementine Poetry Journal, NEAT, and One Sentence Poems, among others. She is a poet and writer from Wisconsin who writes with the hope of finding some lightning among the lightning bugs. Follow her on Twitter @lwinkelspecht.

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What Rough Beast | Poem for May 18, 2017

William Prindle
The Waning Moon We Trust With Our Lives

At dusk the trees so brilliant green
In the western sun merge back
Into the dark again

Some young male’s machine shoots
Its backfires down the frontage road
Spooking the mares again

Shadows flaring over the fence line
Spreading that terror across the county
As in the days of the Klan

Whose ghosts try yet again really yet again
To stack up their fear like Depression dams
Against this innocent river

This implacable water carrying the Lovings
The Kings and Merediths and Evers
Rolling down as a mighty stream

Until justice is only the silence falling again
Over the land when the torches go back
To their caves again

Until now when the herd grazes again
Under the waning moon that we trust
With our lives to rise again.

 

William R. Prindle’s poems have appeared in The Pennsylvania Review, Written River, The Echo World, The Live Poets Society, and elsewhere. He lives in Fluvanna County, Virginia, with his wife and three horses.

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What Rough Beast | Poem for May 17, 2017

Addison Bale
Chimera

I am so curious about the guillotine and the spectacle of its function
its member I should say its unthinking blade that I imagine
is silken through howls and howls very blunt to reason
very sharp very sharp for sure. I imagine myself naked on a pedestal
(though I’m not sure that’s standard) if my body would look fiendish
up there. Wriggly. If my dead-duck penis would look dead and silly.
If it would still be an object albeit changed object of sexual potential
or now a tube, a hilarious notion. If my belly would bloat like a dung beetle
before the drop from gas and lonesomeness. If my ass and legs
would be sludged with my body’s new vacancy.
If jerk or slice. Shrivel or stiffen. Growth over between gore
resisting sheen of metal rusting newly eventual rust rust and rust-
colored there they’d watch that thing pool in a bulrush basket.

*

I am so curious about the Marseillaise. To have a deadly sin
and to accept, yes, it will come malaise despite more eyes.
Pleased with fantasies of the ownerless body and a good clean finish
they screech ovation! And, would they? Touch their fingers
to their necks? Prey for their vulnerable parts, for their rubbing
fear of reputations. For prisons. I would have been made
a benign maladie of the brotherly night would have held my own
body into my own arms writing wholly in love wholly a part of
and abandoning embarrassment, penning lastly
the milliner in spite of judgment for a laugh.

 

Addison Bale‘s poems have appeared or are forthcoming in Wedgie Magazine and the Pomeroy Poets Anthology. He is the founder of the Lit Club at the Light Club poetry reading series in Burlington, VT, and now lives in New York City.

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What Rough Beast | Poem for May 16, 2017

Nate Maxson
Those Who Favor Fire

—after Robert Frost

It’s an attempt to recreate light
I told you,
The flicked cigarette out the window
Ought to be enough of a common spark to prove my loyalty
I hold with those who favor fire
It’s neither scripture nor rocket science,
To make it as banal as I can:
I hold with those
Whose casual indifference to this limitation
Births a wildfire glowering in deadfall
I hold
The mechanism that crushes the mechanism
And the one beyond that
An endangered species
The expectation of a continuing increase in size
Between my hands, just between you and me
I’ll ask you one more time
What killed the dinosaurs?
A reiteration
A slow drizzle
Or the post-miraculous?
The fire
I hold
I hold

 

Nate Maxson is the author of Vaudeville Jihad (Slow Fever, 2011), I Wished For A Serpent (Mercury HeartLink, 2012), and The Age Of Jive (CreateSpace, 2014). His poems have appeared in Eunoia, Toe Good, Empty Mirror, and Cultural Weekly, among others. He lives in Albuquerque, New Mexico.

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What Rough Beast | Poem for May 15, 2017

Mary B. Moore
Cat Nap

—For My Daughter

Like a thought cloud, gray and white
striped, near Damara’s head,
the cat sleeps, dreaming spotted
kingsnakes and red fox kits
queering the hen herding.
Don’t worry: He won’t eat hens.
He monitors, mothers, broods
them, defending from high-caliber
hawk sites by being seen to be.
His feet twitch in their stripy
fur coil: a bird, metal for bones, scopes
the yard, twin lenses flashing. Crikey,
he’d like to hide. But hen patrol
calls for wisdom, strategy and balls.
He puffs himself up, spiky
like a mine, his tail a pike.
That puts paid to raiders
in his dream of seeming
her hero and ours.
In Damara’s left ear,
his engine purrs.

Mary B. Moore is the author of Flicker (Broadkill River Press, 2016), winner of the Dogfish Head Poetry Award; the chapbook Eating the Light (Sable Books, 2016 ); and the poetry collection The Book of Snow (Cleveland State University Poetry Center, 1998). New  poems are forthcoming in the Georgia Review, Poem/Memoir/Story, Unsplendid, Still the Journal, and the anthology Eyes Glowing at the Edge of the Woods: Fiction and Poetry from West Virginia (Vandalia Press, 2017). She is professor emerita of poetry and Renaissance literature at Marshall University in Huntington, West Virginia.

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What Rough Beast | Poem for May 14, 2017

Chaun Ballard
My Being-Black Dilemma

My students are learning how to make America. Great. Again?
One says to me (his literature teacher). Yes, I reply, Make America great. Again

and again, he complains, recreates cities, states, river systems, borders on the map.
This isn’t social studies. No, I say, This is context. Now continue making America great. Again

the Civil War is fought, the bloody lesson of a nation burned into youth. I teach them
North vs. South, industry vs. agriculture, but all they hear is “make America great.” Again,

as if somewhere in the South, engaged in battle, a stone-like pupil will emerge, horseless, to say he’s not seeing the connection. Make America great, again

I say to him. This is context. The story is difficult. The views, however visible, complex.
If we are to engage in meaningful dialogue, understand: making America great again

adds substance to the story. We are reading “An Occurrence at Owl Creek Bridge,” and again Peyton Farquhar is to be hanged for the cause: to make America great. Again,

I must take my students through the grueling process of strangulation, how a man’s mind travels even until death, even until America is made great. Again,

I must teach them to pity the plantation owner: “a civilian and student of hanging.” I must teach them to look at the man as a man (not his cause or ideals) to make America great.

 

Chaun Ballard‘s poems have appeared or are forthcoming in Chiron Review, Columbia Poetry Review, Pittsburgh Poetry Review, Rattle, Rock & Sling, and other literary magazines. Raised in St. Louis, Missouri, and San Bernardino, California, he is currently a student in the MFA Program at the University of Alaska, Anchorage.

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What Rough Beast | Poem for May 13, 2017

Caitlin Grace McDonnell
The arc of the moral universe

is long, it detours occasionally
down alleyways where bodies
are commerce and water
hoarded. In Atlanta, my teeth
grit against one another at night,
like someone’s building something,
said the man in my bed, picturing
steel and mortar. The doctors
fit me for a guard to save my teeth.
Took three visits to the place
in the mall where I’d wait and
wait then sit while warm wax
embraced my pried open
mouth, dripped down
my throat. When I went
to pick it up, the receptionist
said your insurance
won’t pay. It will be $300.
I don’t have that, I said, and she
took the carefully molded
map that matched only my
mouth and tossed it in the trash.
The arc of the moral universe
is long, but it bends. Like wax
to teeth, like a line of people
around a city block,
it bends.

 

Caitlin Grace McDonnell is the author of Dreaming the Tree (Belladonna Books, 2003) and Looking for Small Animals (Nauset Press 2012). Her poems, essays and book reviews have appeared in numerous publications including Salon, Washington Square, Chronogram among others. As a high school student in Boulder she took classes at The Jack Kerouac School of Disembodied Poetics, later moving to New York where she attended Bard College and studied with John Ashbery and Ann Lauterbach. Caitlin won a grant to study at the Poet’s House in Ireland and was a New York Times Poetry Fellow at NYU where she received her MFA. She is an English teacher in Brooklyn where she lives with her eight-year-old daughter.

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What Rough Beast | Poem for May 12, 2017

Robert Carr
Bannon’s Weapon

I’m afraid you’ve missed the point
of my weapon. The hand knit ears
of your pink pussy won’t protect you.

And you, cocksucker, handcuffs pulled
from a dusty box, your chained to fence memento,
will not ACT UP.

I wear you, nylon on a hairy leg, sip a coffee,
wait for brushed silver chairs
to fly through Starbucks windows.

I wait for that clit crusader wearing floppy ears
to soak herself in gasoline and drop
a match.

I wait for you to demonstrate your madness,
to bite my German Shepard.

You know you want to. The point—my weapon
documents your holes. Key that Ford truck idling
in your neighbor’s drive, burn the mini-flag

flying from the antennae.
I will gladly pay for your damage,
replace stripes, the stars. And you.

Robert Carr is the author of the chapbook Amaranth (Indolent Book, 2016). Recent work appears in Assaracus, Bellevue Literary Review, Kettle Blue Review, New Verse News, Pretty Owl Poetry, Radius Literary Magazine, White Stag, and other publications. He lives with his husband Stephen in Malden, Massachusetts, and serves as Deputy Director for the Bureau of Infectious Disease and Laboratory Sciences with the Massachusetts Department of Public Health. Robert is an associate editor at Indolent Books, a nonprofit poetry press in Brooklyn. His poetry, book reviews, and upcoming events can be found at robertcarr.org.

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What Rough Beast | Poem for May 11, 2017

Miriam Sagan
Untitled

a great city
I can’t identify
towers to the sun
sprawling
shantytown
where a language
I can’t speak
is spoken
and a woman
carries
a heavy load on her head,
these dead
in particular
meant something
to you, or me,
I can’t weep
equally
it appears
some things
seem more apparently
my relatives
although
the necklace
of teeth
makes me nervous
as well it might,
and did you really think
your enemy
the one
you’ll kill
has no family
the draped woman
finds your bared flesh
confusing
but every veil
can turn
to water
in the eye of God.

 

Miriam Sagan is the author of 30 books, including the novel Black Rainbow (Sherman Asher, 2015) and Geographic: A Memoir of Time and Space (Casa de Snapdragon). winner of  the 2016 Arizona/New Mexico Book Award in Poetry. She founded and headed the creative writing program at Santa Fe Community College until her retirement in 2017. Her blog, Miriam’s Well, has a thousand daily readers. She has been a writer in residence in two national parks, at Yaddo, MacDowell, Colorado Art Ranch, Andrew’s Experimental Forest, Center for Land Use Interpretation, Iceland’s Gullkistan Residency for creative people, and another dozen or so remote and unique places. Her awards include the Santa Fe Mayor’s award for Excellence in the Arts, the Poetry Gratitude Award from New Mexico Literary Arts, and A Lannan Foundation residency in Marfa.

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